© 2013 Fourtoes Desk

The John Rylands Library – Wet Plates

As part of the Portrait of a Living Archive exhibition/event I was asked if I’d give a demonstration of the wet plate collodion process. I’m never one to turn down an opportunity to shoot some plates. So Saturday we set up in the historic entrance of the Library. It started of as a first come first served idea. People who agreed to sit for a portrait would be given a high resolution image of their plate, the plate itself getting deposited into the Libraries collections. Soon there was such a large number of people wishing to have their portraits taken that we had to start drawing names out of a top hat!

Darkroom1
I was shooting quarter plate clear glass ambrotypes out of my portable darkroom suitcase. It was a little cramped for the whole plate holder (with inserts) but it worked fine.

Group3

Camera1

My new clear fronted fixer tank in use so people can see the plate clearing rather than using a try.
FixBath

Here are the plates… Thanks everyone for sitting so well. Eighteen very patient sitters in 6 hours.
JRPlates1
JRPlates2
JRPlates3
JRPlates4
JRPlates5

I really enjoy discussing this process, everyone who stopped by was very interested and had loads of questions. Some people had come especially for the event and others were very happy to have stumbled upon it whilst visiting the Library.
Group1

Camera3

Group2

Camera2

It wasn’t until I saw these digital images that I now realise how fantastic the space we were working in was. I think I was far to busy to appreciate it on the day.

Group4

Group5

Thanks to Gwen, Jamie and the rest of the Library staff for all their help and making this a great event. Lets hope we can do another.

A little technical info…

I was using my whole plate Watson & Sons studio camera with 1/4 plate inserts. Lens was my Darlot cone lens f4. The troublesome collodion I was using on the day was the “Poe Boy” recipe mentioned in previous blog posts. I’m still not entirely happy with how its working as the developer doesn’t flow very well across the plate, even with additional alcohol added. The results were some of the “messiest” plates I’ve ever shot, some might call this “character”!? I’ll be going back to the “Old Workhorse” recipe but will be returning to Poe Boy as its the easiest to mix/get hold of the raw chems.

Supporting digital images © University of Manchester Library

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3 Comments

  1. Gordon Fraser
    Posted October 21, 2013 at 6:44 PM | #

    Just seen this post. Is this why you got the clear fixer tank. Ihavevto do a demo session during a talk for a local camera club…think I need one if these as well! Looked like a grand day out…. And yes, that does look like a really nice venue

  2. Posted October 22, 2013 at 2:12 PM | #

    Hi Tony,
    Can you tell me what lights you were using (bulbs)? I really like the soft diffuse light on the sitters. Also, did you take along more than one silver bath to switch out? That’s a lot of plates in one bath!

  3. Posted October 22, 2013 at 2:25 PM | #

    Hi Amber,

    These are Interfit Cool lite 9’s. I’m slowly swappin ght ebulbs, as one blow I swap it for a stronger one… And its just the one Silver Bath that day, I check my silver before each session.

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