{"id":23476,"date":"2022-08-26T22:04:45","date_gmt":"2022-08-26T21:04:45","guid":{"rendered":"https:\/\/fourtoes.co.uk\/iblog\/?p=23476"},"modified":"2022-08-29T12:49:19","modified_gmt":"2022-08-29T11:49:19","slug":"british-art-studies-august-2022","status":"publish","type":"post","link":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/","title":{"rendered":"British Art Studies, August 2022"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Well this is a little different. A few months ago I was asked for image permissions for a blog image to be used in a peer reviewed article in the latest <a rel=\"noreferrer noopener\" href=\"https:\/\/www.britishartstudies.ac.uk\/issues\/issue-index\/issue-23\" target=\"_blank\">British Art Studies<\/a> journal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A wet plate image? A historic ambrotype from my collection? Nope. A digi HDR pic from 2009 of Gustav Metzgers <em>Flailing Trees <\/em>outside of the Whitworth Art Gallery! <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">British Art Studies wasn&#8217;t on my reading list but it is now. What an amazing digital publication. And its free! Published jointly by the Paul Mellon Centre for Studies in British Art and Yale Center for British Art.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"800\" src=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435.jpg\" alt=\"\" class=\"wp-image-23472\" srcset=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215435.jpg 432w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215435-162x300.jpg 162w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It also has two articles that might be of particular photographic interest.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography by Luke Gartlan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"800\" src=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215500.jpg\" alt=\"\" class=\"wp-image-23473\" srcset=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215500.jpg 633w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215500-237x300.jpg 237w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215500-520x657.jpg 520w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells by Margaret J Schmaltz.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"800\" src=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215448.jpg\" alt=\"\" class=\"wp-image-23474\" srcset=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215448.jpg 658w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215448-247x300.jpg 247w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/PSX_20220826_215448-520x632.jpg 520w\" sizes=\"auto, (max-width: 658px) 100vw, 658px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Oh, and my Digi HDR image from way back when I used to do such things&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"713\" src=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/image_editor_output_image1654777285-1661773707490.jpg\" alt=\"\" class=\"wp-image-23513\" srcset=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/image_editor_output_image1654777285-1661773707490.jpg 600w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/image_editor_output_image1654777285-1661773707490-252x300.jpg 252w, https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/2022\/08\/image_editor_output_image1654777285-1661773707490-520x618.jpg 520w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I&#8217;m now working my way through the back issues of this publication. Its odd how these things come about.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well this is a little different. A few months ago I was asked for image permissions for a blog image to be used in a peer reviewed article in the latest British Art Studies journal. A wet plate image? A historic ambrotype from my collection? Nope. A digi HDR pic from 2009 of Gustav Metzgers&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":23477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11,5,9],"tags":[],"class_list":["post-23476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dslr","category-hdr","category-misc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>British Art Studies, August 2022 - FOURTOES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"British Art Studies, August 2022 - FOURTOES\" \/>\n<meta property=\"og:description\" content=\"Well this is a little different. A few months ago I was asked for image permissions for a blog image to be used in a peer reviewed article in the latest British Art Studies journal. A wet plate image? A historic ambrotype from my collection? Nope. A digi HDR pic from 2009 of Gustav Metzgers&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/\" \/>\n<meta property=\"og:site_name\" content=\"FOURTOES\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-26T21:04:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-29T11:49:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"432\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Fourtoes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fourtoes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/\"},\"author\":{\"name\":\"Fourtoes\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#\\\/schema\\\/person\\\/17a63f5c28a9d123465916f5c5752810\"},\"headline\":\"British Art Studies, August 2022\",\"datePublished\":\"2022-08-26T21:04:45+00:00\",\"dateModified\":\"2022-08-29T11:49:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/\"},\"wordCount\":183,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#\\\/schema\\\/person\\\/17a63f5c28a9d123465916f5c5752810\"},\"image\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/wp-content\\\/uploads\\\/\\\/2022\\\/08\\\/PSX_20220826_215435-1.jpg\",\"articleSection\":[\"DSLR\",\"HDR\",\"Misc\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/\",\"url\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/\",\"name\":\"British Art Studies, August 2022 - FOURTOES\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/wp-content\\\/uploads\\\/\\\/2022\\\/08\\\/PSX_20220826_215435-1.jpg\",\"datePublished\":\"2022-08-26T21:04:45+00:00\",\"dateModified\":\"2022-08-29T11:49:19+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#primaryimage\",\"url\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/wp-content\\\/uploads\\\/\\\/2022\\\/08\\\/PSX_20220826_215435-1.jpg\",\"contentUrl\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/wp-content\\\/uploads\\\/\\\/2022\\\/08\\\/PSX_20220826_215435-1.jpg\",\"width\":432,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/british-art-studies-august-2022\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"British Art Studies, August 2022\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#website\",\"url\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/\",\"name\":\"FOURTOES\",\"description\":\"Whats the difference between a camera and a sock?\",\"publisher\":{\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#\\\/schema\\\/person\\\/17a63f5c28a9d123465916f5c5752810\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/#\\\/schema\\\/person\\\/17a63f5c28a9d123465916f5c5752810\",\"name\":\"Fourtoes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g\",\"caption\":\"Fourtoes\"},\"logo\":{\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g\"},\"sameAs\":[\"http:\\\/\\\/www.fourtoes.co.uk\\\/iblog\"],\"url\":\"https:\\\/\\\/fourtoes.co.uk\\\/iblog\\\/author\\\/fourtoes\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"British Art Studies, August 2022 - FOURTOES","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/","og_locale":"en_GB","og_type":"article","og_title":"British Art Studies, August 2022 - FOURTOES","og_description":"Well this is a little different. A few months ago I was asked for image permissions for a blog image to be used in a peer reviewed article in the latest British Art Studies journal. A wet plate image? A historic ambrotype from my collection? Nope. A digi HDR pic from 2009 of Gustav Metzgers&#46;&#46;&#46;","og_url":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/","og_site_name":"FOURTOES","article_published_time":"2022-08-26T21:04:45+00:00","article_modified_time":"2022-08-29T11:49:19+00:00","og_image":[{"width":432,"height":800,"url":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","type":"image\/jpeg"}],"author":"Fourtoes","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Fourtoes","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#article","isPartOf":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/"},"author":{"name":"Fourtoes","@id":"https:\/\/fourtoes.co.uk\/iblog\/#\/schema\/person\/17a63f5c28a9d123465916f5c5752810"},"headline":"British Art Studies, August 2022","datePublished":"2022-08-26T21:04:45+00:00","dateModified":"2022-08-29T11:49:19+00:00","mainEntityOfPage":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/"},"wordCount":183,"commentCount":0,"publisher":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/#\/schema\/person\/17a63f5c28a9d123465916f5c5752810"},"image":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#primaryimage"},"thumbnailUrl":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","articleSection":["DSLR","HDR","Misc"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/","url":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/","name":"British Art Studies, August 2022 - FOURTOES","isPartOf":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#primaryimage"},"image":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#primaryimage"},"thumbnailUrl":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","datePublished":"2022-08-26T21:04:45+00:00","dateModified":"2022-08-29T11:49:19+00:00","breadcrumb":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#primaryimage","url":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","contentUrl":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","width":432,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/fourtoes.co.uk\/iblog\/british-art-studies-august-2022\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/fourtoes.co.uk\/iblog\/"},{"@type":"ListItem","position":2,"name":"British Art Studies, August 2022"}]},{"@type":"WebSite","@id":"https:\/\/fourtoes.co.uk\/iblog\/#website","url":"https:\/\/fourtoes.co.uk\/iblog\/","name":"FOURTOES","description":"Whats the difference between a camera and a sock?","publisher":{"@id":"https:\/\/fourtoes.co.uk\/iblog\/#\/schema\/person\/17a63f5c28a9d123465916f5c5752810"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/fourtoes.co.uk\/iblog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":["Person","Organization"],"@id":"https:\/\/fourtoes.co.uk\/iblog\/#\/schema\/person\/17a63f5c28a9d123465916f5c5752810","name":"Fourtoes","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g","caption":"Fourtoes"},"logo":{"@id":"https:\/\/secure.gravatar.com\/avatar\/14ef2304593063e4f06b33c2646b0819a377954da105b57465662ad3b9ab3cd4?s=96&d=mm&r=g"},"sameAs":["http:\/\/www.fourtoes.co.uk\/iblog"],"url":"https:\/\/fourtoes.co.uk\/iblog\/author\/fourtoes\/"}]}},"jetpack_shortlink":"https:\/\/wp.me\/p6pysN-66E","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/fourtoes.co.uk\/iblog\/wp-content\/uploads\/\/2022\/08\/PSX_20220826_215435-1.jpg","_links":{"self":[{"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/posts\/23476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/comments?post=23476"}],"version-history":[{"count":5,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/posts\/23476\/revisions"}],"predecessor-version":[{"id":23515,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/posts\/23476\/revisions\/23515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/media\/23477"}],"wp:attachment":[{"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/media?parent=23476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/categories?post=23476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fourtoes.co.uk\/iblog\/wp-json\/wp\/v2\/tags?post=23476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}