I rarely submit work for any sort of exhibition but thought I might as well for this months AnalogForeverMagazine with its call for wet pate collodion landscapes, curated by Joni Sternbach.
Well, it made the cut and it is a favourite quarter plate image of mine, and I keep promising myself to return to with a much larger plate for contact printing. Its this plate of The Needle at Rampside, Quarter plate tintype.
I’m in good company, with friends like Anabelle Schattens, but also a whole host of, new to me, wet platers. Go take a look. I hope the embed link above works.
Thanks for including me Joni and AnalogForeverMagazine.